DESIGN INSPIRATION | WHITNEY LINDSEY

24 September 2014

whitney lindsey, graphic design, design, inspiration, embossing, typography, production, texas, photography, materials, production, dallas, Ussery Printing, interior design, letterpress, tactile,

I’m always excited to come across like-minded people especially if they’re fellow graphic designers and share my passion for typography and production.

Whitney Lindsey might live around 5,000 miles south west of me but we sure speak the same graphic language. Not surprisingly we also share a similar background. The 28-year old grew up on a farm (like me) and spent a lot of time outside using her imagination to keep her occupied. Being so closely connected to nature she says that she always had a natural inclination to appreciate beauty and great design she just didn’t know it was called design – as silly as that sounds I can totally relate to that.

Despite her lack of exposure to any urban art or culture when growing up she has succeeded in her field and credits exactly that lack to making her very introspective which defines her as a person and designer.

I’ve always believed that true creativity is challenged and stimulated when we’re left to our own devices and that boredom is actually healthy for children – a point I try to make with my own kids. Whitney is a great example of that theory and I was entranced when she told me about her work, her inspiration and how she discovered graphic design almost by accident. Dive into the interview below and admire her beautiful work along the way.

whitney lindsey, graphic design, design, inspiration, embossing, typography, production, texas, photography, materials, production, dallas, Ussery Printing, interior design, letterpress, tactile,

Let me start by asking how you got into graphic design?

When I started college I had no idea what I wanted to do (and really no idea what graphic design was) so I just started taking my core classes without picking a major. After about a year and a half I was starting to run out of core classes to take so my advisor suggested that I look through the course catalogue and pick out a couple of classes that looked interesting to me. The things that looked most interesting to me were all of the art classes, but being the procrastinator I can sometimes be, all of the art classes were already full except for Photography and Graphic Design. I was really excited about photography, but not that thrilled about graphic design. For some reason I thought graphic design was going to be a bunch of web banners and not much else. On my first day of class I was proven very wrong. The professor gave a lecture on “What Is Graphic Design” and I absolutely fell in love. I saw how alive type could come—how it had the ability to visually speak louder than the words themselves. I saw how visual design could create very powerful experiences and I was hooked. I remember leaving class that night knowing that was what I would do for the rest of my life. I’ve never had an experience like that before. It was pretty magical.
 

How would you describe your style and aesthetic?

My style is generally pretty clean and airy. I tend to focus on the production of a piece just as much as the design. The physical feel of a piece—the texture and weight of the paper, the quality of the materials, the contrasts in textures throughout the piece—plays such a big part in the overall experience of it and I always try to keep that in mind. Design is never just visual to me and I think that mentality really influences my work.
 

Which part do you enjoy most?

I enjoy the entire process! I love the actual design phase—I can spend hours in front of my computer completely enthralled in a design and it will feel as if only an hour has passed. I also love the energy and collaborative nature of a photo shoot. I enjoy the production phase of a project as well and getting to see all of the hard work put into a project come to fruition. Of course, there are bumps along the road of every project, but overall I thoroughly enjoy the whole process.
 

What gets you excited and how much do you get involved in the art direction and styling of the shots.

I do get involved in art direction and I’m continuously art directing more and more. Lately I’ve been working on projects where my only role is art directing a photo shoot.

 
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whitney lindsey, graphic design, design, inspiration, embossing, typography, production, texas, photography, materials, production, dallas, Ussery Printing, interior design, letterpress, tactile,
 

What about the production values… do you get to chose the materials?

I usually choose the materials for the projects I work on. I really believe that the materials can make or break a design. On most of the projects I’ve worked on, I work with Ussery Printing in Dallas. They are the best. I do a lot of production-heavy things in my work and the representative from Ussery that I work with, John Lawrimore, goes above and beyond to make my vision a reality. I really could not do the things I’ve been able to without the hard work of the pressmen, the diemakers, the foil stampers, and anyone else who has a hand in the production and the dedication they have to their craft. I have so much respect for these individuals and could not create successful work without them.
 

Where do you get your inspiration from?

Everywhere! I feel very inspired by seeing other people who have so much passion for what they do—whatever it is. I’m very inspired by great music. I’m inspired by beautiful interiors, nature, and fashion. Honestly, I’m just inspired by anything I find beautiful. Having such a great appreciation for the beauty in our world lights some sort of fire in me to add to it by creating beautiful things.
 

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whitney lindsey, graphic design, design, inspiration, embossing, typography, production, texas, photography, materials, production, dallas, Ussery Printing, interior design, letterpress, tactile,
 

My surroundings are very important to me… Do you have a penchant for interior design too? If so how would you describe your style at home

Oh, I love interior design. Sometimes I wish I had studied interior design as well as graphic design. I am such a homebody—my home is my sanctuary. When the world feels crazy and overwhelming my home is my retreat and I try to make it as beautiful and calming as I can. Honestly, I don’t know how to describe my style at home. I love having rustic, historic pieces and mixing them with refined pieces. It’s very much a balance between rustic and refinement. I’m very particular about the details of my home—lighting is very important to me and I don’t like having clutter. I try to have a reason and purpose for everything I have out in my home—even down to the kitchen countertops. If a bag of chips sitting on the counter isn’t adding to the look and feel of the kitchen, it gets put away very quickly.
 

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whitney lindsey, graphic design, design, inspiration, embossing, typography, production, texas, photography, materials, production, dallas, Ussery Printing, interior design, letterpress, tactile,
 

And finally, where’s your happy place? Where do you feel most comfortable? Can you describe a perfect day scenario for us?

Home. My happy place is definitely my home. A perfect day would be spent at home with beautiful music quietly playing, my fiancée in the kitchen cooking something amazing (he’s a wonderful cook), the weather’s perfect outside (which is a rarity living in Texas) and the windows are open.
 

Aw, that sounds wonderful! Thank you so much for your time Whitney – you’re a true design inspiration.

NOTE: Whitney is a tad social media shy but loves hearing from other designers and artists so feel free to drop her an email whitney [at] brickandmortarco.com

 

 
PORTFOLIO | Whitney Lindsey
 
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RALPH LAUREN | DOWNTOWN MODERN AW14

22 September 2014

ralph lauren, downtown modern, collection, aw14, fall, holiday, season, country in the city, navajo, cypress wood, oak, textiles, fabrics, cashmere, mohair, graphic, black and white, prints, fulton pendant, Equilibrium table lamp, luxury, comfort

You’ve gotta love Ralph Lauren. His rags to riches story is well documented and there’s barely a harder working man in the business who despite his age is still very much hands on and signs off on every single piece as I found out at the press launch for his new AW14 Home collection last week.

There were of course the over-the-top sumptuously dressed beds with a multitude of delicate and luxurious fabrics and trims but I was pleasantly surprised to find a pared back version in the ‘Downtown Modern’ collection. A kind of country in the city style with ebonized oak, cypress wood and textiles inspired by Navajo prints adding a touch of warmth.

The graphic prints and black and white palette give a modern feel and I like how a few industrial piece have been incorporated – my favourites being the large Fulton pendant and Equilibrium table lamp. The throws and cushions are beautifully tactile in mohair and cashmere oozing Ralph Lauren luxury and comfort. At one point I just wanted to curl up on the sofa with one of the cashmere rugs and have the superb caterers feed me teeny tiny eggs benedict and blueberry pancakes but luckily my manners got the better of me.

I have to concede that I’m not the target market but it is interesting to see how Ralph is reaching out to new customers. I also like to believe that he has a wry sense of humour as the press shot of the loaded jeep outside an old red brick factory made me smile. What better way to conjure up his country in the city style than to include some vintage skis, freshly chopped logs and a fluffy white American Eskimo dog?

You’ve gotta love Ralph Lauren!
 
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ralph lauren, downtown modern, collection, aw14, fall, holiday, season, country in the city, navajo, cypress wood, oak, textiles, fabrics, cashmere, mohair, graphic, black and white, prints, fulton pendant, Equilibrium table lamp, luxury, comfort

NOTE: In case you were wondering what to get me for Christmas I’ve selected a few favourite pieces below.

ralph lauren, downtown modern, collection, aw14, fall, holiday, season, country in the city, navajo, cypress wood, oak, textiles, fabrics, cashmere, mohair, graphic, black and white, prints, fulton pendant, Equilibrium table lamp, luxury, comfort
 
 

PHOTOGRAPHY | Ralph Lauren

 
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MOOD BOARD | LIVE WITH LESS

20 September 2014

live with less, mood board, black and white, architecture, fashion, quality, hands, typography, handbag, reflective, lines, stark, attitude, fabric
 
To Live With Less sure is easier said than done. After all I kind of need nice decorative things around me…

I was first attracted to the typography but then got thinking about what it means to Live With Less. For me this is about paring back, de-cluttering and making conscious decisions which things to keep and which ones to part with. As we’re slowly moving towards a new season maybe this is the time for me to have a clear out and re-organize my wardrobe. It somehow always feels cathartic…

What about you? Are you a hoarder or can you part with stuff easily?

Wishing you all a happy weekend!

 
WOMAN //
HANDS //
ARCHITECTURE //
TYPO //
BAG //

 
NOTE | All via my Pinterest boards
 
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BLACK AND WHITE HOME IN CONVERTED FACTORY

18 September 2014

industrial, interior design, style, trend, eclectic, manufacturing, converted factory, Vasa, finland, black, white, neutral, colour palette, scene

As you know I’m a huge fan of black and white interiors and today’s home has the added advantage that it’s located in an old converted factory in Vasa, Finland. Bit of a dream set-up for me…

I love all the industrial elements that the couple have included in their interior design, especially the lighting like the oversized lamps, cluster of steel cage-lightbulbs and tripod studio light. Quirky finds like the oversized signage letter ‘Z’ and old leather boxing gloves add interest and are right on the typography and old school gym trend at the moment.

I also like how they’ve incorporated clever little DIYs like the rustic wooden plank with black iron pegs and coffee table on wheels reminiscent of the buildings manufacturing past. By keeping the colour palette very neutral with walls and ceilings in white and furniture mostly black it almost feels like an exhibition space setting their eclectic pieces perfectly in scene.

Last but not least I’ve got to confess that I’ve got a major crush on that huge black trunk serving as a bedside table – any ideas where I can get hold of one!?
 

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industrial, interior design, style, trend, eclectic, manufacturing, converted factory, Vasa, finland, black, white, neutral, colour palette, scene

 

 
VIA | Femina with thanks
PHOTOGRAPHY | Katja Lösönen/IDECOR images with thanks
 
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COOL STUFF | TORI MURPHY MADE IN ENGLAND

16 September 2014

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Tori Murphy has been on my radar for a while but in this fast moving (blogging) world she kinda slipped my mind so I was delighted when Dovetail Living informed me last week that they now stock her home textiles.

I adore her aesthetic of simple hand drawn designs combined with beautiful and tactile materials. She tries to keep her ingredients to a minimum and instead be creative with pattern and structure. Supporting British manufacturing is imperative to her with fabrics woven in Lancashire, washed and finished in the Yorkshire Dales and then made up into product in Nottingham where Tori lives and designs the products.

Her collection is created with style and quality in mind and in an interview with Occa Home she explains:

I’ve always tried to make things that are about simple design, good, honest materials and good craftsmanship. I like to keep the focus on the materials and the designs are quite simple and bold, we use the best materials possible and to an extent we let them speak for themselves. I would describe it as a simple, pared back aesthetic.

I’m always intrigued where textile designers get their inspiration for patterns from and was interested to read that Tori is inspired by regular patterns she sees in nature and drawn to anything that is repetitive but has an imperfection in it. All of her designs are hand drawn and nothing is really perfect which makes them different and sets them apart.

Though she does introduce a hot pink and some gold in her textiles I prefer the strong black accents and muted colours which for me work best with her bold patterns. In fact I’m having a serious crush on her Murphy and Chevy throw.

NOTE: Read the whole interview with Tori on Occa Home.
 

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tori murphy, textiles, home, design, simple, modern, bold, pattern, black accents, style, quality, hand drawn, british, manufacturing, nottingham, fabric, craftsmanship, imperfection, trend

 

 
MORE INFORMATION & PHOTOGRAPHY | Tori Murphy
 
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